激情四溢的“达尔文主义者”大卫艾登堡，对于广受争议的达尔文进化论，他提出了他的个人观点，并且认为进化论是所有他所提出的理论的基石。追溯到200年前，追随着那些变化——那些改变我们对自然世界的理解的变化，他提出了三个问题：达尔文为什么会提出他的进化论？是怎样提出的？为什么大多数人认为他的理论是正确的？为什么进化论现在显得比以往任何时候都重要？

本部动画短片用流畅而细腻的笔触，勾勒了一个在二维平面和三维立体间随意转换的奇妙空间。黑白小人穿梭在随手勾画出的平面正方形里，但是无论怎么描画都不满意。刚刚画出一部分，就很快被自己画出的正方形挡住。直到他无意间画出了三维立方体，但是他始终走不出二维平面的束缚。黑白小人反反复复的跟立方体博弈着，却最终还是回到了原点。 　　这部由法国鬼才导演Léonard Cohen执导完成的短片，荣获2011年昂西动画节最佳毕业作品奖。导演Léonard Cohen毕业于法国国家高等装饰艺术学院，从本片的影像风格中可见一斑。

本部动画短片用流畅而细腻的笔触，勾勒了一个在二维平面和三维立体间随意转换的奇妙空间。黑白小人穿梭在随手勾画出的平面正方形里，但是无论怎么描画都不满意。刚刚画出一部分，就很快被自己画出的正方形挡住。直到他无意间画出了三维立方体，但是他始终走不出二维平面的束缚。黑白小人反反复复的跟立方体博弈着，却最终还是回到了原点。 　　这部由法国鬼才导演Léonard Cohen执导完成的短片，荣获2011年昂西动画节最佳毕业作品奖。导演Léonard Cohen毕业于法国国家高等装饰艺术学院，从本片的影像风格中可见一斑。

这个故事审视探讨了欧洲对非洲的幕后枪支交易——俄罗斯飞行员把枪支送往非洲，之后把飞机装满鱼飞回欧洲。 　　这种贸易的危害和后果之一就是武器不断流入非洲大陆所引起的暴力和战争。 　　如果这个世界的规则是像达尔文所说的“适者生存”，那赞助枪支贸易的资本家就脚踏着非洲人的利益站到了进化阶梯的高端。达尔文主义的鲜明例子。 　　就像维多利亚湖鲈鱼可预见的灭绝和维多利亚湖自身的死亡一样，非洲人正处于极度的危险之中，尽管他们在他们唯一懂得的途径中谋求生存。 　　The larger scope of the story explores the gun trade to Africa that takes place under the covers -- Russian pilots fly guns into Africa, then fly fish back out to Europe. The hazards and consequences of this trade are explored, including the pan-African violence propagated by constant flow of weapons into the continent. If it is a "survival of the fittest" world, as Darwin concluded, then the capitalist interests that fund the gun runners are climbing the evolutionary ladder on the backs of the Africans in this stark Darwinian example. Much like the foreseeable extinction of the Lake Victoria perch, and death of Lake Victoria itself, the Africans are in grave jeopardy, even as they survive in the only ways they know how.

The return of three Anglicizied natives to their land or the beginning of a meeting with the modern world that will destroy them.

2001年曾爆发严重冲突的贝尔法斯特的社区阿杜尼区，如今是一个遭到边缘的工人阶级社区，那里的民众世世代代受到贫困、党派对立、毒品、枪支的困扰。抱着终结暴力的梦想，一所天主教男校校长凯文·麦卡里维及其敬业、富有远见的学校团队颠覆性地将哲学引入小学课堂，用批判性思维和 关心引导学生质疑战争和暴力，鼓励孩子们超越自己社区的界限和局限，此举甚至会挑战这些学生的父母、同龄人和社会群体的叙述。本片荣获2022年都柏林国际电影节人权影片奖、2022年格林威治国际电影节社会影响奖特别表扬奖。

The Genius of Charles Darwin is a three-part television documentary, written and presented by evolutionary biologist Richard Dawkins. 　　In the first episode Richard Dawkins explains the basic mechanisms of natural selection, and tells the story of how Charles Darwin developed his theory. He teaches a year 11 science class about evolution, which many of the students are reluctant to accept. He then takes them to the Jurassic Coast in Dorset to search for fossils, hoping that the students can see some of the evidence for themselves. Dawkins also visits Nairobi, where he interviews a prostitute who seems to have a genetic immunity to HIV, and talks to microbiologist Larry Gelmon. He goes on to predict that genetic immunity is a trait that will become more prevalent in the community over time. 　　In the second episode Richard Dawkins deals with some of the philosophical and social ramifications of the theory of evolution. Dawkins starts out in Kenya, speaking with palaeontologist Richard Leakey. He then visits Christ is the Answer Ministries, Kenya’s largest Pentecostal church, to interview Bishop Bonifes Adoyo. Adoyo has led the movement to press the National Museums of Kenya to sideline its collection of hominid bones pointing to man’s evolution from ape to human. The collection includes the Turkana Boy discovered by Kamoya Kimeu, a member of a team led by Richard Leakey in 1984. 　　Dawkins discusses social Darwinism and eugenics, explaining how these are not versions of natural selection, and that “Darwin has been wrongly tainted”. He then meets with evolutionary psychologist Steven Pinker to discuss how morals can be compatible with natural selection. He goes on to explaining sexual selection, with peafowls as an example. To find out whether sexual selection plays a role for altruism and kindness among humans, he visits women who are looking for sperm donors, as well as a sperm bank manager. Dawkins also explains kin selection and selfish genes. 　　In the third and final episode, Dawkins explains why Darwin’s theory is one of history’s most controversial ideas. Dawkins uses this episode to discuss the opposition that evolution has experienced since it was first discovered. He starts by approaching various anti-evolutionists, ranging from John Mackay from Creation Research, Wendy Wright, President of Concerned Women for America, to English school teacher Nick Cowen. In order to address concerns they bring up, he shows the evidence for evolution, including fossil and DNA evidence. He also talks to the science students of the school he taught in during the first episode, asking them why they aren’t adequately teaching the ideas of science properly, instead allowing their students to believe that truth is personal and that science is merely a point of view. 　　Dawkins also describes Darwin’s personal journey from Christianity to atheism, based not only on the natural mechanisms he saw, but also on the cruelty in the world which seemed to deny a loving God, in particular the loss of his daughter Annie. While Dawkins does address the bleakness of the Darwinian view, he spends the last part of this episode describing how Darwin and he himself address it, ending by saying: “In the perspective of the universe, the vastness of the universe and of geological time, we are insignificant. Some people find the thought disturbing, even frightening. Like Darwin, I find the reality thrilling.”

为了纪念达尔文诞生200周年，BBC做了一个系列的纪录片，以便来赞扬达尔文对人类进化做出的巨大贡献，有些人相信达尔文的进化伦削弱了宗教信仰。 　　众所周知，达尔文的一本《物种起源》可以说从根本上否定了上帝造物说，从而也就是在笃信基督教的西方世界掀起了轩然大波...然而，达尔文本人却又是一个虔诚的基督徒...他的理论跟他的信仰到底有没有冲突呢？达尔文到底是从根本上杀掉了神，还是从个另一个角度论证了神的存在？孰是孰非，见仁见智，我们一起跟随片中的主持人，共同关注这个纠结的话题~

平凡的高中生须藤要，收到了一封从未听说过的App「达尔文游戏」发来的邮件。将App启动的要，被卷入了一场玩家之间驱使异能战斗的游戏。在不明就里的情形…

恩田はるか（富田望生）は、テレビ番組制作会社の新入社員。チームプレーを愛する体育会系の彼女はスポーツドキュメンタリー志望だったが、なぜか自然部に配属になってしまい、慌ただしい日々を過ごしている。そんな中、恩田は“部内一の生きものオタク”の変わり者として知られる先輩ディレクター・漆原大地（本郷奏多）とともに、幻と言われている野生の二ホンノウサギの撮影を担当することになる。ノウサギは夜行性で、撮影どころか実際に出会えるかどうかもわからない強敵。ベテランカメラマン・鷹野もまじえて山へ向かった３人は、現地の住民・房江とその孫・慶太の家に寝泊まりしながら撮影を始める。 　　「ノウサギを見つけるには、まずはフンを探すしかない」という研究者の言葉を頼りに山の中を捜索する 　　３人。だが、ノウサギはなかなか見つからず、性格の合わない恩田と漆原は内輪もめ。さらにはノウサギに詳しいはずの房江はなぜかロケに協力的ではなく、撮影は行き詰ってしまう。やがて恩田は、漆原が抱く生きものに対する情熱や、何十年も自然の中で暮らしてきた房江の思いを知ることになり…。